- Film impact transition pack plus#
- Film impact transition pack series#
- Film impact transition pack tv#
Well, I mean, it’s more a question of: why now film, more than anything. I feel like the first thing I should ask you is: pandemic aside, why now? What made this the perfect time for Pirates? So it’s nuts to see your journey from being on our TVs, acting, hosting, presenting, to now being here-producing and directing films.
Film impact transition pack plus#
Pretty much just us two for a while, innit.Īnd a spread of sports personnel in between, plus Lenny Henry. In the late ‘90s and early 2000s, it felt like there was Trevor Nelson, and there was Reggie Yates. There’s a lineage of Black Britishness when it comes to notable people from our community, especially when it came to television and notable characters. It’s a funny film, too, one filled with countless gems of an underrepresented time. In all, Pirates has become one of, if not the first film that made me feel truly at home. If anything, it felt like I was watching a compilation of my own friends, with bits of their personalities clipped and instilled into these characters. There’s also no sign of Black Trauma-which is refreshing. The film contains a lot of necessity, utilising characters that many know exist, and channelling sound as a way to summon feeling. To feel the music, like Wookie and Lain’s “Battle” and DJ Luck & MC Neat’s “Little Bit Of Luck”, being celebrated in this way was truly endearing. And right from the jump, the film pays homage to UK garage, as Azzido Da Bass’ “Dooms Night” takes you back to its glory days.
It’s very rare something is created that epitomises an era of behaviour that you sorely miss, so to rekindle it through these characters was amazing. I genuinely left the cinema not wanting to leave these characters behind. Two Tonne (Jordan Peters), Cappo (Elliot Edusah) and Kidda (Reda Elazouar) string together a joyous chemistry that is absolutely absorbing, heartwarming, and smoothly projecting of the culture that captivated a community of garage lovers in the late ‘90s. Pirates is a brilliant film about three UK garage-obsessed friends who are looking to secure a motive for 1999’s big NYE celebrations into the millennium. Simply put: Reggie Yates is a British national treasure, and his directorial debut, Pirates, is a projection of the type of stories he’s always been interested in telling.
Film impact transition pack series#
Many of us observed his transition from child actor in the comedy series Desmond’s to being a presenter on SMILE, Top Of The Pops, The MOBOs and Glastonbury, to becoming the voice of Rastamouse and hosting shows for BBC Radio 1 and fronting countless documentaries. A staple on our screens, acting, hosting and presenting for over three decades, his career path has been an inspirational joy to watch. Of course, there were sports stars and the famous-for-whatever-reason in between, but with someone like Reggie, he was always that guy. In my eyes, ears and young, impressionable heart, there was Trevor McDonald, Trevor Nelson, Jenny Francis and Reggie Yates.
Film impact transition pack tv#
Unlike today, Black British culture wasn’t so openly celebrated-but on our old, fat-backed TV screens and hefty radio players were a small handful of prominent Black British people who became superheroes to millions. We attended the same house and hall parties, where we spun decks or played music through CDs and sensitive cassette tapes, blaring pop, Motown, the new sounds of UK garage, two-stepping to reggae, Highlife, afrobeat, and an almost compulsory course of R&B, soul and hip-hop.
We were all mostly invested in the same things: music, food, and cultural attitudes adopted from a variety of backgrounds. It was colourful, soulful, and with a lack of technology to absorb your attention, an era that demanded people to be present. Growing up Black and British in the 1990s was a perplexing yet interesting period of time.